Tag: Serge

More Serge Paperface at SchneidersLaden

The fiftieth anniversary is reason enough to reissue a classic 4U system that will absolutely fulfil the requirements and expectations of most interested musicians. With the matching and, above all, befitting housing, the system is a joy to look at. The absolute completion of Serge’s birthday: The Paperface panels Helios, Paris Flash and Tempo di Roma in a complete package.

A true classic that you can now purchase. The Paperface series, with a facelift for Serge’s 50th birthday, consisting of the Helios, Paris Flash and Tempo di Roma panels. An incredibly versatile combination of the simplest building blocks, framed in a beautiful case that would also look good as a sculpture.

A sophisticated instrument for discerning musicians and nerds! Simple functions that create a harmonious and flexible whole – that’s the Paperface system. The panels are also available individually if you want to start small or expand an existing system.

We are pleased about the continuous improvement in the availability of these great instruments. One of the systems can also be tested in our showroom – just drop by SchneidersLaden in Berlin Neukölln (Karl-Marx-Straße 186).

(Picture by Serge)

Pinged VCF Q through STG Wave Folder

It is well known that the Variable Q VCF from Serge Random*Source is one of the best filters to ping. Not only the good reputation speaks for this, but also the dedicated “ping” input of the filter and the precise 1v/oct tracking. Trigger (or similar) in, beautiful sounds out, so simple, so good. One thing remains unchanged – what comes out of the filter is inevitably a sine wave. To increase the sonic variety, it is worth looking for suitable wavefolders and the like.

Within the Serge Random*Source cosmos there is already some choice, especially the middle section of the Wave Multiplier is an excellent choice. While searching for a suitable module from another manufacturer, the Wave Folder from STG Soundlabs came to our mind. This one stands out for its excellent sound – always noble and never too aggressive. Just made for pinged filters! With a bit of modulation on filter frequency and the gain stage of the Wave Folder, you can create a wonderfully lively sound. Listen for yourself:

What about … Dual Function Generators

Today we have a look at three modules that can be described as Dual Function Generators – the Make Noise Maths, Befaco Rampage  and the Serge Dual Universal Slope Generator (DUSG) by Random Source. Dual Function Generators follow the same core principal – they can do whatever you want them to do. What seems a bit of a stretch is of cause one, but it is closer to being true than you might expect. Because these circuits usually don’t just do one thing, but can be anything from a VCO, Slew Limiter, Envelope, Trigger Delay, Filter and so on. These multi-functional tools are very popular in modular synthesizers since the early days. There was the Envelope Shaper from the EMS System and the Dual Universal Slope Generator from the early Serge System for example – and the Serge module is now available for eurorack.

And why it is a great idea to put two function generators into one module is shown by Make Noise Maths and Befaco Rampage. Both take the signals from their two sides and process them independent from your regular output. Maths for example gives you a mixing stage with additional inputs, attenuverters and four outputs. Rampage takes the generated signals from both sides and compares them in an analog logic section. Both modules try to create as much useful information from its generators as possible. They do point in different directions, but are both useful additions for almost any system. Another nice aspect with having two function generators in one module is being able to modulate one side with the other. With voltage control of several parameters, mixing stages, trigger outputs and more, these modules are not just real all-rounders but also boosters for creativity.DFG_quer_groß

But first let’s have a look at the basic structure of these modules and one of the common use-cases: A dual function generator usually consist of two more or less identical sides (left/right) that can be used independently. A typical use for them is to work as envelopes or LFOs. Therefor the modules provide inputs that expect triggers or gates to start generating the rising and a falling CV of an envelope, both can be modulated with CV so that they can have variable lengths. Maths, Rampage and DUSG all provide a cycle switch that restarts the generated envelope as soon as the Rise and Fall stage are completed – now the module functions as a LFO. All three modules have Trigger/Gate inputs to start the Rise/Fall CV, voltage control of both of these parameters at the same time and individual voltage control of both parameters, variable envelope characteristics and END-OF-Something outputs. All three modules have an input jack and a dedicated Trigger input. While using the Trigger input the resulting envelope will always consist of only two stages – Rise and Fall. While using the other input to start the envelope it is possible to implement a Sustain stage to the envelope. The duration of the Sustain stage is just as long as the gate is high minus the time of the Rise section. With all these features it is possible to very precisely shape envelopes – way more complex and versatile than many other envelope generators. While losing the Decay stage of an ADSR, you get voltage control of the remaining stages and the possibility to precisely work on the shape of the envelope. the normal input jack is also the way to go f you would like to use the modules as slew limiters for example. But as we can not discuss all the possible functions here, let’s focus of what sets the modules apart from each other – for example their size: DUSG (26hp) > Maths (20hp) > Rampage (18hp). And there are more differences:

Befaco – Rampage

The unique part of the Rampage module is the central logic and comparator section that creates signals from the differences between both sides of the module. Using the Balance control you can determine the weight between the left and right function generator. MIN is an analog AND gate, which outputs only the minimum voltage. On the other side the MAX output only emits the currently highest voltage. B>A is a circuit comparing the amplitudes of both curves and generating a pulse when B higher is than A. Additionally there is a slope detector on both sides of the Rampage. This means the module outputs gates while the current slope is rising or falling. Depending which slope is given, either the rising out or the falling out emits a gate signal until the slope changes again. AND: The Rampage has a dedicated trigger button for both sides, so you can manually trigger the envelopes – very handy!

Random Source – Serge Dual Universal Slope Generator Mk2 (DSG)

The Serge DUSG is a direct successor of the original design in 4U format. The eurorack version has been slightly revised and optimised, for example the tracking when used as audio oscillator. Therefor both sides feature dedicated 1V/Oct input jacks. This is something that separates the DUSG from Maths and Rampage – these two do also work as audio oscillators but are not able to track the 1V/Oct standard reliably. In general the DUSG is pretty straight forward when it comes to usability and the user interface – if a clear layout and comfortable spacing is one of your main concerns when deciding on a module, this is the Dual Function Generator to go for. …and it sounds great as an audio oscillator!

Make Noise – Maths 2

The Make Noise Maths might be one of the most important eurorack modules of all time. It has been around for a long time and still is one of the most recommended modules when it comes to planning a new system. The envelopes that can be created with Maths are considered to be especially snappy and musical. What Maths brings to the table besides two envelopes/oscillators is a four channel mixer with individual and mixed outs, end of rise, end of cycle and logic outputs. This attenuverting mixer section doesn’t seem to be very exciting at first, but it is one of the most useful additions in “Dual-Function-Generator-Land” – with its ability to not only mix but also offset, attenuate and invert signals!

All in all these are three great modules that will all add something special to your system. You really cant go wrong with any of these modules and therefor it is a thing of personal taste, the little aspects described above that differ, or maybe size that can give the decisive momentum.


And as always:

This is by no means a complete overview of available modules nor a full review of the discussed modules. The what about… text are here to give you new ideas and maybe another perspective on things. All these modules offer more features than we have talked about in this post. For further information please click the provided links or – even better – visit the SchneidersLaden and ask our experts in the showroom.

Catalyst Audio and Random*Source – bring back the classics

At the moment there are two very iconic, classic, modular systems available in Eurorack format, which even have a common history. Catalyst Audio transferred the legendary System 100 to Eurorack and Random*Source worked together with Serge Tcherepnin to bring classic Serge modules to the most diverse modular format that has ever existed. Serge’s intention of making his own designs is related to Don Buchlas early synthesizers, as Serge wanted to make a high quality but affordable synthesizer system available – in contrast to the more expensive Buchla. Therefor Serge sold synthesizer kits that could be built at home to keep the cost down. And Serges inspiration and motivation didn’t came from nothing: The Buchla already had something like a mystic aura to it, as the 100 series, the original San Francisco Tape Music Center modular synthesizer, originally was commissioned by Morton Subotnick and Ramon Sender.

Catalyst Audio now faithfully recreated six modules of Buchlas 100 Series and A/B tested them with an original 100 Series system to bring the original System 100 sound to Eurorack – and they achieved this goal. The analog circuits feature a discrete, transistor based design. Hand-picked components guarantee high performance, durability and excellent sound. The Audio and CV levels have been adjusted to be compatible with the Eurorack standard, therefor they used Op-amps. If you do not want anything “new” in your circuits these components can be removed from the signal flow via jumpers.


The history of the Serge incarnation in Eurorack is a little different. The makers of Random*Source adapted classic Serge designs to the Eurorack format and let Serge Serge Tcherepnin test and approve them to be real Serge designs under license and in cooperation with Serge Tcherepnin. Random*Source now offers both, the original format (4U) and modules for Eurorack. And it is still possible to build them on your own, as there are partial and full kits available at different retailers. This preserves the original intention of Serge Tcherepnin of making a high quality modular system, comparable to the Buchla, available for way less money.  So what you get is the original Serge sound, approved by Serge Tcherepnin himself, in a smaller format.

To mix and match, test and explore these great modules, come to Schneidersladen showroom and check them out.


Video: Darrin Wiener @SchneidersBuero

Herr Schneider invited a special guest to talk about SUPERBOOTH17 and electronic musical instruments. This is Darrin Wiener presenting the eurorack Serge modules from Random*Source. After realising that his Gesprächskonzert at SUPERBOOTH17 was missing the concert part, we decided to catch up on it with this video. In the end there was a lot of talking again – about bananas, marimbas, scales and delays. But there was also some funky music played and Herr Schneider danced!. The Serge modules showed their potential as drum and percussive voices and a broken toilet was discovered in the end. Curious?



STROMKULT is our platform for updates and news on SCHNEIDERSLADEN and SUPERBOOTH, selected electronic musical instruments and events related to modular synthesizers, sequencers, competent drum machines, analog modular systems, midi tools, controllers, converters and related products of all kinds. You can find all kinds of events related to these topic in our EVENT CALENDAR. Also on this site you will find lots of videos from SUPERBOOTH – the world’s largest trade fair for electronic musical instruments, news about events and workshops at SCHNEIDERSLADEN.

Herr Schneider started in 1999 with SCHNEIDERSBUERO as a sales and marketing platform for the smallest manufacturers and inventors of electronic musical instruments. Products were shown online, in our showrooms and at the original SUPERBOOTH – workshops and countless reviews have been featured in magazines all over Europe.

These very special instruments and tools are now often available from specialist dealers all over Europe and can be purchased directly from our webshop SCHNEIDERSLADEN worldwide.